Planning a Large Legal Print Job: What I’ve Learned Before Asking for an Estimate
- Sarah Bennet

- 1 day ago
- 4 min read
I’ve learned that one of the harder parts of planning a large legal print job happens before anything is actually ready to print.
The file may still be changing. Exhibits are being added. Counsel wants an idea of cost. Someone needs to reserve time for production. And the final PDF may still be several days away.
At that stage, I might know that there are “about 400 exhibits, mostly black and white with some colour.”
That sounds like a fair amount of information.
The problem is that it still leaves a very big question unanswered: how large is the job?
After working through enough large files, I’ve learned that the numbers I use to organize a matter aren’t always the numbers I need when I start planning the printing.
Exhibit Count Is Helpful, but Page Count Tells Me More
When I am working with litigation materials, I naturally think in terms of documents and exhibits.
Exhibit 1. Exhibit 2. Exhibit 3.
That makes sense when I am organizing the record.
But 400 exhibits could mean very different things once those documents are printed.
One exhibit might be a single-page letter. Another might be a 60-page agreement. Another might contain photographs, charts or schedules that need to remain in colour.
So now, when I’m trying to get an early estimate, I try to find at least a rough total page count.
It does not have to be exact.
If I can say, “We expect approximately 2,500 to 3,000 pages,” that gives everyone a much better starting point than simply saying there are 400 exhibits.
The same applies to colour.
I may not know exactly how many colour pages are in the file yet. But “mostly black and white, probably 200 to 300 colour pages” is still useful.
At the estimating stage, reasonable assumptions are often enough.

I Try to Think About the Finished Books Early
Page count is only part of the picture.
I also try to think ahead to what the completed materials are supposed to look like.
Are we preparing one working copy or several complete sets?
Will every exhibit have a tab?
Are the tabs numbered, named or grouped by section?
Will the material be Cerlox bound, placed in binders or divided into several books?
Will covers or spine labels be required?
Large legal files often become several physical volumes once they are printed. Depending on what we’re preparing, I may also need to account for page order, pagination, tables of contents, tabs, binding and volume breaks, so those details are worth identifying early rather than leaving them until production is underway.
I do not necessarily have all the answers when I first ask for pricing.
What matters is being clear about what I know and what I am still estimating.
“Needed Monday” Is Only Half the Timeline
This is probably the biggest lesson I’ve learned from deadline-sensitive printing.
The deadline is important, but so is the moment the final file becomes available.
There is a major difference between:
“Books required Monday morning. Final file will be ready Thursday.”
and:
“Books required Monday morning. Final file should be ready Sunday evening.”
The delivery deadline is the same.
The production window is not.
When I am planning a larger file now, I try to give both pieces of information: when the approved files are expected and when the finished materials are required.
That gives a much clearer picture of the actual schedule.
It also helps when revisions are still expected. If pages, exhibits or pagination may change late in the process, I try to mention that as well.
A few replacement pages are one thing.
A new PDF arriving after several complete sets have already been printed, tabbed and bound is something else entirely.
What I Send When the Final PDF Isn’t Ready
I used to think I needed to wait until I had nearly complete specifications before asking for a print estimate.
I don’t anymore.
For early budgeting, I would rather send reasonable working assumptions and make it clear that the estimate will need to be updated once the final files are available.
A request might say:
“Approximately 400 exhibits. We expect 2,800 to 3,200 pages in total, mostly black and white with perhaps 250 colour pages. Five complete double-sided sets. Individual numbered exhibit tabs. Cerlox binding in multiple volumes. Final PDFs expected Friday afternoon and completed books required Monday morning in Vancouver.”
Nothing in that description has to pretend to be final.
It simply gives everyone something useful to plan around.
When the completed PDF arrives, the actual page count, colour count, number of volumes and finishing requirements can be confirmed before production starts.
My Large-File Estimate Checklist
Before I send an estimate request, these are the details I try to confirm where possible:
Approximate total PDF page count
Approximate black-and-white and colour content
Number of exhibits or documents
Number of complete printed sets
Single-sided or double-sided printing
Number and type of tabs or dividers
Expected binding method
Approximate number of volumes
Cover or spine-label requirements
Expected time the final PDFs will be available
Required completion or delivery time
Delivery or pickup location
Whether significant revisions are still expected
I do not wait until every box is checked.
If something is unknown, I say it is unknown.
If something is an estimate, I label it as an estimate.
That has proven much easier than giving a very broad description at the beginning and finding out later that the finished job is considerably larger or more complicated than expected.
The Practical Takeaway
When I am organizing a legal file, “400 exhibits” tells me quite a lot about the work in front of me.
When I am planning the printing, I need to look at the file differently.
Approximate page count, colour content, copy count, tabs, binding, volume breaks and timing give me a much clearer picture of what the project will actually involve.
The details do not have to be final to be useful.
I’ve also learned that preliminary information is still useful. At CETTEC, I’ve seen plenty of projects start with estimated page counts and working assumptions, with the actual specifications confirmed when the final PDFs arrive. It gives everyone a clearer starting point and usually means fewer surprises when the deadline gets closer.



